A Cooperation of Our Senses: Royal Ballet Teams Up alongside Blind Artist for Innovative Fresh Production

The Royal Ballet has long provided headphones with descriptive narration so that visually impaired patrons could understand the movement on stage. Presently, via a revolutionary new work, the entire gathering will experience such commentary within a production that examines how visual impairment can transform our reactions to experience, audio and storytelling.

Blind Creator Works with Renowned Choreographers

Devon Healey, a blind artist, is partnering with Sir Wayne McGregor, among other dance creators, and composer Max Richter in creating a fresh Royal Ballet commission that will launch on 12 November, International Ballet Day, as revealed this week.

Within her creative practice, the artist is motivated by a wish to demonstrate how visual impairment and physical challenge can present an different form of awareness for all people. Her detailed audio narration, woven with the music, creates the center of the production on stage.

"Making top-tier ballet and musical theater for each person" is a guiding principle of the Royal Opera House. Under Kevin O’Hare, the company's leader, the troupe is concentrating on "total access – welcoming performers and viewers to encounter ballet in revolutionary innovative methods," he stated.

Various Dance Creators Work on Fresh Work

The fresh production is being choreographed by choreographer Tiler Peck, Bim Malcomson, and Rebecca Myles Stewart, alongside Wayne McGregor, all working with Healey.

Robert Binet, the curator of this production, stated: "World Ballet Day was established on the idea of accessibility. Following a ten years, we're extending that notion more to examine how impaired viewpoints can influence our performance style, and encourage patrons of every capability and histories to experience ballet in new ways."

Having worked with the artist in Canadian venues and Australian locations, he understood that sighted people who had encountered the artist's audio narration believed it helped them understand ballet, which can look so abstract.

Moving Partnership Between Expert and Non-Professional Performers

In a particular performance, the Royal Ballet performer Leo Dixon will partner Takashi Kikuchi, an non-professional performer who has been visually impaired from childhood and who had long assumed that dance was "mostly for those who can see". But Kikuchi has understood that it actually "entails a lot of emotion and emotions" and engages perceptions, "sight-based and non-sight".

Kikuchi’s individual experience of previously becoming disoriented on his way home and depending on the sunlight to guide his way back had inspired a performance in which the professional dancer embodies the "soothing presence of the sun around his partner as they dance in unison," the choreographer explained.

"This occurred during the day and I had a sense that the sunlight should be radiating from the western sky. So, if I faced the sunlight, even though I couldn't see the sunlight itself, I could feel the temperature … So I kept walking to the west …. It guided me home. The sunshine was a excellent assistant to me. The sun could be a good representation. So the tale developed from there."

Visual Impairment Presents Special Relationship with Movement

Healey, an scholar of disability studies at the Toronto university, commented: "Visual impairment and lacking sight encourages a active bond with movement in a way that is comparable to a expert performer's relationship with their physical self and motion."

In partnering with the performers, the artist was attempting to convey what "they’re experiencing in their physical being, something that’s just not perceivable through sight," she explained. "I talk with the dancers to get a sense of how they are in their body, where their breath is, what they think, how their physical form are feeling.

"Working together with the dance creators [and] clothing, illumination, set and sound artists, the understandings and artistry of blindness are ever present as we, visually impaired and seeing individuals, build a relationship through our love of motion and performance. It is this creativity and affection that I strive to weave into the immersive descriptive audio. It is a cooperation of the perceptions guided by blindness."

She added: "Even though the view of the performance, the beautiful display, is available facing the audience, there is much that they overlook or understanding, and it is visual impairment that is inviting seeing and blind viewers equally into the invisible. What I hope is that, when viewers leave, they experience dance in a new way, and they’re also sensing the existence, and hearing the perceptions of, visual impairment in new and active ways."

Composer Max Richter on Audio Descriptions

Richter, whose works have amassed more than 3.5bn streams, stated the spoken narration created a rapport between blindness and sight "through a audio environment, giving voice to that which remains unseen". He noted: "It is not just a explanation of a show. This is the performance itself."

World Dance Event Partners

The Royal Ballet’s global collaborators for World Ballet Day include the National Ballet of Canada and the Australian Ballet. The companies will furthermore offer availability to backstage video, rehearsals and freshly produced works – streamed live via online channels.

Brandon Fry
Brandon Fry

A digital strategist with over a decade of experience in trend forecasting and market analysis across European markets.